Unicode Support - for writing in languages that might not be English. Import files from a variety of file-types that includes Final Draft (.fdx or.fdr), Celtx (.celtx), Adobe Story (.astx), PDF(.pdf), and moreĮxport your work to PDF, Final Draft, RTF, Fountain, and various other text file typesĬollaboration options for co-writing virtually This feature is unique to Fade In, if I’m not mistaken.
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These tools aren’t revolutionary as Fade In doesn’t try to storm the Bastille, so to speak, but the quality of the parts make for a strong sum total.įade In is jammed with screenwriting tools you’d expect from full-package screenwriting software like index cards, layouts, synopsis, and notes, as well full support for production (colored pages, revisions, breakdowns, reports, etc.), but it also comes with a ton of other features, such as:ĭialogue Tuner - allows you see all of a character’s dialogue in sequence, to make sure it’s consistent. Moving past the basics, Fade In comes with the requisite arsenal of organizing, revising, and file-formatting tools. Fade In’s Bag of Tricks for Screenwriters For me, and many other writers, that constant glance can be deadly to inspiration, flow, and/or momentum. This freed me up from having to constantly re-read what I’ve already written. It was a smoother writing experience for me, and prevented me from having to constantly check what sort of element I was on (action line, dialogue line, etc.). It helps because my eyes didn’t have to constantly trek upwards to see what I was doing. However, as I worked with the screenwriting UI longer, I discovered I liked having all that stuff over there. This panel on the right of Fade In includes the list of screenplay formatting elements (SCENE HEADING/SLUG, ACTION, CHARACTER, DIALOG, TRANSITION, etc.)Īt first, I was skeptical about how Fade In places these elements and buttons, as it did seem like excessive noise within my field of vision. The choice to place all the screenwriter’s essential tools and presets on the right instead of a menu bar at the top (Final Draft’s default configuration, for example) is telling, as far as where Fade In has decided to plant its flag. Most screenwriters can attest to the destructive power of distraction on productivity. Of course, if calming dark gradients aren’t your bag, Fade In’s user interface can be brightened up, or the theme changed to one of three additional presets that come standard. When looking at Fade In, it may sound dramatic, but it’s fair to say that this screenwriter immediately experienced a calming sensation, due to the dark gradient background that contrasts gently with Fade In’s white writing space. (Why name it Fade In if you’re not going to go for a sweet splash logo?) It’s a cooler effect than it has any right to be and this feeling of pleasant surprise doesn’t stop there. Upon opening Fade In, one is greeted with a sleek design, and the name of the software fading in on the screen, because of course it does. Fade In – First Impressions, Design, User Interface But does it stand a chance of taking Final Draft’s place as the most popular screenwriting app on the market? Let’s dive in.
Take note ye humble scribes: for a chunk less than its biggest competitor, Fade In offers a strong alternative for screenwriters of all stripes. This screenwriting app rakishly steps into our limelight not as a copycat, but as a would-be kingslayer to Final Draft.
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Where there once was only one or two big screenwriting software packages - the venerable Final Draft and Movie Magic Screenwriter - now there are several upstarts, seeking to usurp the de facto Final Draft throne.Įnter Fade In, created by General Coffee Productions. Fade In is a screenwriting app in a world full of screenwriting apps.
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